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Stomping off with effect: Dramatic exits from the scene or life (Column: Bookends)

24 Dec 2017

The course of any human s life has three significant episodes -- hatching matching and despatching. The first we have no control over the second doesn t entirely depend on us and in only the third can we have some say. While we can never predict when this may come we can at least try to make the ending -- or even our less permanent exits -- somehow exceptional.




And writers -- from Shakespeare to Jonathan Swift to James Thurber as well as some philosophers scholars and others have been in the forefront of doing so -- through their works or even personally.

It may seem incongruous to focus on mortality in a festive season -- but it is a time of endings with the year drawing to close and the natural conditions bleak. "The leaves falling like our years the flowers fading like our hours the clouds fleeting like our illusions the light diminishing like our intelligence the sun growing colder like our affections the rivers becoming frozen like our lives " said 18th-century French diplomat Francois-Rene de Chateaubriand in "Memoires d Outre-Tombe (Memoirs from Beyond the Grave)".

We can argue about propriety but a memorable exit does count. Let s start with Crinis the Stoic of a school of thought priding itself on its indifference to worldly concerns and fears. Of him we only know that he died of fright at the squeaking of a mouse. Stoic philosophy never got over it -- and perhaps that is why they suppressed all knowledge of him.

Chrysippus of Soli (c.280-c.207 BC) died of laughing at one of his own jokes. While most accounts say he died of excessive laughter after watching his drunk donkey try to eat figs the best version is that the donkey belonging to an old woman once ate a large amount of his figs. Thereupon he offered her a wineskin saying "Better give him this to wash them down better." Then he fell about laughing. Then he died.

One uncharitable introduction to philosophy observes that with such a sense of humour it may be considered a good thing that none of Chrysippus more than 700 books has survived to the present.

More temporarily the father of Sceptism Pyrrho of Elis (360-270 BC) whose philosophy held that you cannot believe anything exists -- with his devoted friends ensuring his long life by preventing him from walking off imaginary cliffs into imaginary chariots -- once ended an argument with rivals by jumping fully clothed into a (illusory?) river and swimming powerfully away.

In our times Austrian Paul Feyerabend (1924-1994) whose position on truth in his own words was "Anything goes" ended his lectures at the London School of Economics by jumping out of the window (fortunately out of a ground-floor classroom) and riding away noisily on his motorcycle.

Of others venerable French grammarian Domique Bonhours on his deathbed whispered: "I am about to -- or I am going to -- die; either expression is used" while the Marquis de Favras reading his death warrant during the French Revolution told his executioners: "I see that you have made three spelling mistakes."

In literature there is Shakespeare s stage direction "Exit pursued by a Bear" in Scene III Act III of "The Winter s Tale". Unfortunately we never know the fate of Antigonus a lord of Sicilia who was ordered to abandon the baby Princess Perdita in the jungle.

Then there is "Verses on the Death of Dr. Swift D.S.P.D." by that unsurpassed satirist Jonathan Swift (1667-1745) who has much more to his credit than "Gulliver s Travels". In 1731 Swift was inspired by French writer La Rochefoucauld s maxim: "In the hard times of our best friends we find something that doesn t displease us" to begin writing a poem on how society and his friends would react to his death.

Finally published in 1739 the nearly 500-line poem begins with a digression on human weaknesses -- and literary envy -- before he comes to the point. The best part is: "Here shift the scene to represent/How those I love my death lament./Poor Pope will grieve a month and Gay/A week and Arbuthnot a day" and "St. John himself will scarce forbear/To bite his pen and drop a tear/The rest will give a shrug and cry / I m sorry-but we all must die! " Hours of fun for those so inclined to insert their own options.

And then the ending of that Thurber masterpiece -- in all senses of the word. "Walter Mitty lighted a cigarette. It began to rain rain with sleet in it. He stood up against the wall of the drugstore smoking . . . He put his shoulders back and his heels together. To hell with the handkerchief said Walter Mitty scornfully. He took one last drag on his cigarette and snapped it away. Then with that faint fleeting smile playing about his lips he faced the firing squad; erect and motionless proud and disdainful Walter Mitty the Undefeated inscrutable to the last."

Who can beat that?

(Vikas Datta is an Associate Editor at IANS. The views expressed are personal. He can be contacted at vikas.d@ians.in)

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